Hello Naan Pei Pesuren (HNPP), directed by S.Baskar and produced by Sundar.C, offers a jolly good time to the viewer with its 'thara local' comedy. VTV Ganesh is in fine form with his typical dialog delivery and brash lines, and Vaibhav continues to improve on the comedy front. HNPP is a good follow-up for him as a solo lead after Kappal. He also scores in the enjoyable 'kuthu' dance segment.
The first half of the film is all about Vaibhav's (playing a small time thief) attempts to woo Aishwarya Rajesh, her reciprocation, the way he earns the approval of her brother (VTV Ganesh) who is a 'kuthu' dance specialist and the introduction of the ghost before the interval. The ghost uses a mobile phone as a medium to communicate what it wants to achieve and it all begins when Vaibhav loots the mobile from an accident spot. There is nothing different in the way the ghost has been presented and the back-story, but the laughs keep coming regularly.
Though the romance is not at all convincing, the comedy keeps the film afloat. Aishwarya Rajesh is the typical commercial heroine here and her dancing skills are impressive. She is 'possessed' beyond a point like the quintessential horror film heroine. Yogi Babu, who rocks in the initial part of the film, just disappears once the ghost angle begins. Had he been there in combination with Ganesh and Vaibhav, the comedy quotient would have seen a multi-fold increase. HNPP also presents some quirky ideas to mix and enjoy alcohol.
Singampuli comes towards the end of the film as a fraudulent exorcist and partially succeeds. Karunakaran doesn't get much scope sadly (except an interesting flashback song) while hottie Oviya is in prominence as the ghost with gory make-up and a hoarse dubbing voice. There is a 'saami padam' effect towards the end, before comedy brings the film to a closure for the good of all.
Composer Siddharth Vipin, who also plays a small role as a 'Setu', has delivered some pulsating 'kuthu' tracks such as "Sillaakki Dumma" and "Majja Malcha". The rhymes-like ringtone which plays whenever the ghost is about to make its presence felt, is a nice choice too. The work on the visual department is strictly average while the run time of just 110 mins is a big bonus as the film races ahead with just a few speed breakers along the way.
Watch Hello Naan Pei Pesuren in a mass theater for added enjoyment. Director Baskar has packaged his film with comedy as the main selling point.
The first half of the film is all about Vaibhav's (playing a small time thief) attempts to woo Aishwarya Rajesh, her reciprocation, the way he earns the approval of her brother (VTV Ganesh) who is a 'kuthu' dance specialist and the introduction of the ghost before the interval. The ghost uses a mobile phone as a medium to communicate what it wants to achieve and it all begins when Vaibhav loots the mobile from an accident spot. There is nothing different in the way the ghost has been presented and the back-story, but the laughs keep coming regularly.
Though the romance is not at all convincing, the comedy keeps the film afloat. Aishwarya Rajesh is the typical commercial heroine here and her dancing skills are impressive. She is 'possessed' beyond a point like the quintessential horror film heroine. Yogi Babu, who rocks in the initial part of the film, just disappears once the ghost angle begins. Had he been there in combination with Ganesh and Vaibhav, the comedy quotient would have seen a multi-fold increase. HNPP also presents some quirky ideas to mix and enjoy alcohol.
Singampuli comes towards the end of the film as a fraudulent exorcist and partially succeeds. Karunakaran doesn't get much scope sadly (except an interesting flashback song) while hottie Oviya is in prominence as the ghost with gory make-up and a hoarse dubbing voice. There is a 'saami padam' effect towards the end, before comedy brings the film to a closure for the good of all.
Composer Siddharth Vipin, who also plays a small role as a 'Setu', has delivered some pulsating 'kuthu' tracks such as "Sillaakki Dumma" and "Majja Malcha". The rhymes-like ringtone which plays whenever the ghost is about to make its presence felt, is a nice choice too. The work on the visual department is strictly average while the run time of just 110 mins is a big bonus as the film races ahead with just a few speed breakers along the way.
Watch Hello Naan Pei Pesuren in a mass theater for added enjoyment. Director Baskar has packaged his film with comedy as the main selling point.
